Curriculum Vitae : Joyce Hinterding

Selected Exhibitions

2008
Telepathy,Performance Space Sydney
The premier of Queenslands National New media Art Award, EarthStar, GOMA Gallery of Modern Art,     Queensland.
Current 08 : Sculpture Projects in the River City , The Immaterial’s Language – Molecules – Vibration
HEADLAND, (A limited edition artist’s publication) collaborative work from Joyce Hinterding and David Haines, including Texts by Ann Finegan and Amanda Williams Parramatta City Council512K to Blacktown 2008 ICAN Institute for Contemporary Art Newtown.
21:100:100 One hundred Sound Works by One hundred Artists from the 21st century, Spectral Gertrude st Melbourne.
Electromagnetique Composition for Building Plants and Stars 2008, BREENSPACE, Sydney
Turn and Widen, TWWR, The 5th Seoul International Media Art Biennale Seoul Korea
Modern Ruin, Black Canyon GOMA Gallery of Modern Art Queensland , QLD,
CORE (Cosmic Orgone Research Engineering) – IASKA :International Art Space Kellerberrin Australia.
Waves – The Art of the Electromagnetic Society, Purple Rain PHOENIX Halle Dortmund, Germany
“Superlight: The 2nd Biennial 01SJ Art on the edge”, Black Canyon and Earth Field San Jose Museum Art, California, USA
“Aeriology”, AV festival, Reg Vardy Gallery, Sunderland, England,
2007
The Visitors – Aliens and UFOs in Contemporary Art, TWWR_XR: (Two Works for Wilhelm Reich (Extended Remix)) Penrith regional Gallery & Lewers Bequest Australia
(in)visible sounds, Purple Rain Montevideo, The Dutch Institute for Time based Art, Netherlands
V2 Zone, Act interact, Purple Rain The Museum of Contemporary Art Taipei, Taiwan
2006
Re:search – art collaboration between Australia and Japan, Electromagnetique Composition for Building Plants and Stars, Sendai Mediatheque, Sendai, Japan
Waves The 8th International Festival for New Media Culture ART+COMMUNICATION, Purple Rain, Riga, Latvia
Under the Radar, HOUSE II, The Great Artesian Basin, Pennsylvania USA FACT, (Foundation for Art & Creative Technology) Liverpool England
Two works for Wilhelm Reich, OE Antennae PICA Perth WA
What Survives, Radiation_3: The evil dead, The performance Space Sydney
2005
‘The butterfly Effect’ ‘Hollow earth Theory Revived: Field study 1′ The Museum of Sydney .
‘Hollow earth Theory Revived: Field study 1& 2 ‘ 24 hr Art Darwin, NT
Vanishing Point Experimenta, HOUSE II, The Great Artesian Basin, Pennsylvania USA, Melbourne
Purple Rain Artspace, Sydney
070905, Radiation_2 NZ, Pelt, Sydney
2004
26th Bienal de Sao Paulo 2004, Image Smugglers in a free Territory, National Representation Australia ‘Purple Rain’, Sao Paulo, Brazil.
Pegging Out, Harmonic33 Hazelhurst Regional gallery
Lets talk about six, HOUSE II, The Great Artesian Basin, Pennsylvania USA, Dunedin Public Art Gallery New Zealand
2003
Remembrance + The Moving Image: Persistence of Vision , Undertow 1999 ACMI Melbourne
The Liquid Sea, HOUSE II, The Great Artesian Basin, Pennsylvania USA . MCA Sydney.
Ten Days on the Island Festival, ‘The levitation Grounds’, CAST Hobart
I . Audio – Radiation _1 Performance Space Sydney
Shangrila, Ono Soul , Artspace Sydney
2002
Deep Space, Immersion and Sensation, The Blinds and the Shutters ACMI The Australian Center for the Moving Image Federation Square Melbourne,
MAAP, Multimedia Art Asia Pacific, The Levitation Grounds The Art Museum of China Millennium Monument, Bejing China
st@rt up: new interactive media “The levitation Grounds” Museum of New Zealand Te Papa Tongarewa.
The World May Be (Fantastic) 13th Sydney Biennale of Sydney The Plasma Wave instrument: Air time — Museum of Contemporary Art, Sydney.
Converg where art and Science meet: The Plasma Wave instrument: Air time The Adelaide Biennial
ARCO The Levitation Grounds Madrid, Spain.
2001
7th Istanbul Biennial aeriology Yerebetan Cistern Istanbul Turkey.
Space Odysseys, Immersion And Sensation, The Blinds and the Shutters, Art Gallery of NSW, The Australian Center for the moving Image Melbourne,
2000
Pivot V: About Photography “The levitation Grounds Carnegie Gallery Hobart
The levitation Grounds, Artspace Sydney
1999
Manifesto, Time Capsule, Time Lapse Antenna, Experimenta Media Arts, Span Galleries Melbourne.
1998
Aeritis, Ideal Australia Publication, Experimental Art Foundation, Adelaide
aeriology, V2 Institute for unstable media, Rotterdam Holland
1997
Voltage, Siphon, The Physics Room, Christchurch New Zealand
I-TONE aeriology, Artspace Sydney,
1996
Ich Phoneix, Ein Kunstereignis, Koronatron: The twenty four winds of the sparkling globe. Gasometer, Oberhausen, Germany
1995
Aeriology, Artspace, Auckland, New Zealand
Sound In Space: Australian Sound Art, The Oscillators, Museum of Contemporary Art, Sydney.
1994
Experimenta 94, Earwitness: Excursions In Sound, Cloud, Australian Centre for contemporary Art, Melbourne,
1993
Australian Sound Art Meridian, Siphon and Active Neutral Earth, Xebec Hall, Kobe, Japan
Joyce Hinterding – Recent Works, Experimental Art Foundation, Adelaide,
1992
9th Biennale Of Sydney, Electrical Storms, Bond store, Sydney,

Selected Live Experimental Music Performances

2008
Now Now Festival , Solo Performance, Wentworth Falls Schools of Arts, Blue Mountains
2006
Sound and Electricity, Solo Performance Radiation_22 The Performance Space
2005
Don’t look Now _Solo Performance -Mori Gallery-
Audiotheque, Solo performance, ‘Force Field’, The night air, ABC radio national.
lanfrachies Memorial Discothèque, Radiation_33 Solo performance.
Typhoon, Solo performance Radiation_44 , Artspace Sydney.
2004
Tonic, Solo Performance, NYC, USA.
SCARPA , Solo performance ‘Oshca’- Auckland New Zealand
None Gallery, Solo Performance Dunedin, New Zealand.
What is Music Festival 2004 – Brisbane Power house Queensland
2003
Impermanent Audio – Solo performance – Frequency Lab Sydney
Unsound Festival, Wagga Wagga NSW
2002
Impermanent Audio – Solo performance – Frequency Lab Sydney
What is music Festival 2002 – Solo Performance Opera House Sydney

Publications

2008
Joyce Hinterding & David Haines, The Immaterial’s molecules -language-vibration, (A limited edition artist’s publication, including, Two Fragrances, Audio CD and Texts by Ann Finegan and Amanda Williams ) Current 08 : Sculpture Projects in the River City Parramatta City Council and Parramatta Artists Studio
2002
Joyce Hinterding Spectral ( Audio CD) co-released/published by Antiopic and Sigma Editions NYC
Joyce Hinterding, Ultra, Motion Movement in Australian Sound (Compilation audio CD) released by Preservation Music Australia.
1998
Joyce Hinterding & Ann Finegan, Aeritis, “Ideal Australia” : Experimental Art Foundation , Adelaide ISBN 0 949836 37 0 – 1998
1997
Joyce Hinterding, Des Funkin Sprunklin Globus, Essays in Sound 3, DIFFRACTIONS , Contemporary Sound Arts p113-116 1997
1996
Joyce Hinterding, The Oscillators, Sensitive systems and Abstract machines, the experience of. Leonardo Music Journal, The MIT press 113-114 1997 -ISBN 0646 30567 0
Joyce Hinterding The Osscillators The Lyre’s Island Some Australian music Sound Art and Design ,Leonardo Music JournalCD series Vol 6

References
Books

H.Grundmann, E.Zimmerman, Re-Inventing Radio Revolver, Frankfurt am main, 2008
Edward Shanken Art and Electronic Media Phaidon Press 2009
Margaret Marsh, Michelle Watts and Craig Malyon , ‘A.R.T. 2: Practice’. (HSC text book), Chapter 17: Tableau Vivant : Video Art, p-252 Oxford University Press Australia
Israel, Senior Artwise2: Visual Arts 11-12 (HSC text book) John Wiley and Sons Australia.

Videos

Subsonics Episode 5, SBS Television (Joyce Hinterding, Greg Kingston, GCTTCATT, Phil Niblock)
Conversations with Australian Artists Volume 1, Unseen Forces, Art Gallery of NSW, (John Olsen, Joyce Hinterding, David Haines, Ginger Riley, Munduwalawala, Fiona Hall)

Catalogues

Nicholas Chambers, Earth Star, The premier of Queenslands National New media Art Award, GOMA Gallery of Modern Art, Queensland.2008
Nicolas Tsoutas , Purple Rain, The 26th Bienal de Sao Paulo, National Representations , Brazil pp84-87, 2004
Ann Finegan, “The Plasma Wave Instrument: Air time” 13th Sydney Biennale 2002
Joyce Hinterding, “The plasma Wave Instrument: Air Time” The Adelaide Biennial of Australian Art, Converge where art and Science meet 2002
Ann Finegan, THE LEVITATION GROUNDS catalogue essay for Artspace 2000
Ross Gibson, ‘Undertow1999′ Remembrance + the moving image ACMI, 2003
Victoria Lynn, Space Odysseys, AGNSW, Australian Center for the Moving Image. 2001
Ann Finegan, THE LEVITATION GROUNDS catalogue essay for Artspace 2000
Tony Bond and Linda Wallace, 9th Biennale of Sydney, p118, 1992
Pam Hansford, “Siphon, Conjuring on the Electrical Grid,” Perspecta 1991, p54-55 1991

Selected Journals

lizzie muller: smelling the sun, breathing a river, new works by joyce hinterding & david haines, RealTime issue #89 Feb-March 2009 pg. 27
Wendy Haslem, Side by Side, Australian & Japanese media Art , Real Time #77 February -March 07
Eve Sullivan – Contemporary Magazine, UK, Issue 91 2007
Gail Priest, Edison’s children, ReelTime + OnScreen, April /May 06
Phillip Auslander, David Haines and Joyce Hinterding, ArtForum, international October 2005
Adam Geczy, Natural Disasters in Sao Paulo, ArtMonthy march 2005 no177, p-43
Linda Carroli “Joyce Hinterding and David Haines and The New Media Artists Camp, Oenpelli, Arnhem Land, 12.20S Latitude, 133.04E Longitude, “Photofile 76 summer 2006 p-46
Ross Gibson, ‘Bright Spark/Joyce Hinterding ; The transformer’ POL OXYGEN issue 3 p-106 2004
Victoria Lynn, ‘The art of the screen in Australia’ Art & Australia, Vol40/4 Winter , pp584 -589 2003
Dr Susan Best, “What is Affect? Considering the affective Dimension of contemporary installation Art”, Australian and New Zealand Journal of Art, Vol 2, number 2 2001 pp207
Dr Susan Best, Elemental constructions: women artists and sculpture in the expanded field, Australian and New Zealand Journal of Art Vo1, number2 2000 pp147-162
Douglas Kahn and Fran Dyson, Wrapture Artbyte September -October 00
Douglas Kahn and Fran Dyson, The Levitation Grounds, Eyeline 43 Spring 00
Linda Wallace, “2000 Thunderstorms: Joyce Hinterding,” Continuum Vol. 8 No. 1 – ‘Electronic Arts in Australia,’ Ed. Nicholas Zurbrugg: 432-435 1994
Zoe Sofia, “Technoscientific Poesis: Joan Brassil – Joyce Hinterding – Sarah Waterson,”Continuum Vol. 8 No. 1 – ‘Electronic Arts in Australia,’Ed. Nicholas Zurbrugg: 364-375 1994
Catherine Lumby, “Joyce Hinterding – Systemic Murmurs,” Art & Text 46: 48-53 1993