David Haines and Joyce Hinterding live and work in the Blue Mountains, NSW Australia and work both collaboratively and independently. Their collaborative work has produced large scale immersive video and sound works that explore the tension between the fictive and the phenomenal. These works incorporate Joyce’s investigations into energetic forces and David’s concern with the intersection of hallucination and landscape. These works explore the possibilities for physical and virtual dynamics to coexist in the gallery space and open up questions and experiences of landscape and architecture as sites of psychic disturbance.

They are represented by Breenspace  http://www.breenspace.com

Their sound work was released by sigmaeditions and Antiopic and is avaliable from Antiopic at  http://www.antiopic.com

Most recently they have exhibited their collaborative work in the; National New Media Art Award Gallery of Modern Art, Queensland (2008), Telepathy, Performance Space Sydney(2008), Turn and Widen, The 5th Seoul International Media Art Biennale, Seoul Korea (2008), Superlight, The 2nd Biennial 01SJ Art on the edge, San Jose Museum Art, California, USA, (2008), Waves – The Art of the Electromagnetic Society, PHOENIX Halle Dortmund, Germany, (2008), (in)visible sounds, Montevideo, The Dutch Institute for Time based Art, Netherlands (2007), V2 Zone, Act interact, The Museum of Contemporary Art Taipei, Taiwan (2007). ReSearch, The Sendai MediaTech in Sendai, Japan (2006). Under the Radar, FACT, (Foundation for Art & Creative Technology) Liverpool England (2006), Waves (Electromagnetic Waves as medium for Art), Riga, Latvia (2006), They were the Australian representatives at the 26th Bienal de Sao Paulo, Brazil (2004) and have collaborated on numerous exhibitions, including; Let’s talk about six, Dunedin Public Art Gallery, New Zealand (2004); Liquid sea, Museum of Contemporary Art, Sydney (2003); MAAP – Multimedia Art Asia Pacific, Art Museum of China, Millennium Monument, Beijing (2002); st@rt up, new interactive media, Museum of New Zealand, Te Papa Tongarewa (2002); Space odyssey: sensation and immersion, Australian Centre for the Moving Image, Melbourne and Art Gallery of New South Wales, Sydney (2002-01 and The Levitation Grounds, Artspace, Sydney (2000).