Curriculum Vitae : David

Selected Exhibitions

2008
Telepathy, Performance Space, Sydney
The premier of Queenslands National New media Art Award, EarthStar, GOMA Gallery of Modern Art, Queensland.
Current 08 : Sculpture Projects in the River City , The Immaterial’s Language – Molecules – Vibration (A limited edition artist’s publication) collaborative work from Joyce Hinterding and David Haines, including Texts by Ann Finegan and Amanda Williams Parramatta City Council
HEADLAND, 512K to Blacktown 2008 ICAN Institute for Contemporary Art Newtown.
Electromagnetique Composition for Building Plants and Stars 2008, BREENSPACE, Sydney
Turn and Widen, TWWR, The 5th Seoul International Media Art Biennale Seoul Korea
Modern Ruin, Black Canyon GOMA Gallery of Modern Art Queensland , QLD,
CORE (Cosmic Orgone Research Engineering) – IASKA :International Art Space Kellerberrin Australia.
Waves – The Art of the Electromagnetic Society, Purple Rain PHOENIX Halle Dortmund, Germany
“Superlight” “The 2nd Biennial 01SJ Art on the edge”, Black Canyon and Earth Field San Jose Museum Art, California, USA
2007
The Visitors – Aliens and UFOs in Contemporary Art, Two Works for Wilhelm Reich (Extended Remix)
Penrith regional Gallery & Lewers Bequest Australia
“Tokyo-Floating Worlds”, Plimsoll gallery, Hobart Tasmania Australia
(in)visible sounds, Purple Rain Montevideo, The Dutch Institute for Time based Art, Netherlands
V2 Zone, Act interact, Purple Rain The Museum of Contemporary Art Taipei, Taiwan
Who’s afraid of the Big Bad wolf, The Door, Te tui centre for the Arts, New Zealand.
2006
Re:search – art collaboration between Australia and Japan, Electromagnetique Composition for Building Plants and Stars, Sendai Mediatheque, Sendai, Japan
Two works for Wilhelm Reich, OrupDesert 1954-55 after field study number 2,
Perth Institute of Contemporary Art, WA
Waves, 8th International Festival for New Media Culture “Art+Communication” Purple Rain Riga, Latvia
Under the Radar, HOUSE II, the Great Artesian Basin, Pennsylvania USA FACT, Liverpool England
2005
The butterfly Effect’ ‘Hollow earth Theory Revived: Field study 1′ The Museum of Sydney .
The irrational, Scott Donovan Gallery Sydney
Hollow earth Theory Revived: Field study 1& 2 ‘ 24 hr Art Darwin, NT
Day & Night, Contemporary Art Center South Australia – CACSA
Vanishing Point Experimenta, HOUSE II, The Great Artesian Basin, Pennsylvania USA, Melbourne
Purple Rain Artspace, Sydney
2004
26th Bienal de Sao Paulo , Image Smugglers in a free Territory, Purple Rain, Sao Paulo, Brazil.
Adelaide Biennial of Australian Art, Born to be Wild, Silver Hill, Adelaide SA
Lets talk about six, HOUSE II, The Great Artesian Basin, Pennsylvania USA,
Dunedin Public Art Gallery New Zealand
2003
The Liquid Sea, HOUSE II, The Great Artesian Basin, Pennsylvania USA MCA Sydney.
Ten Days on the Island Festival, The levitation Grounds, CAST Hobart
Remembrance + The Moving Image: Persistence of Vision , Undertow 1999 ACMI Melbourne
2002
Deep Space -Sensation & Immersion, The Blinds and the Shutters, Australian Centre for the Moving Image, Federation Square Melbourne.
MAAP-Multimedia Art Asia Pacific The Levitation Grounds Bejing
st@rt up: new interactive media, The Levitation Grounds Museum of New Zealand Te Papa Tongarewa.
The World (May Be) Fantastic The Seventeenth Century, 13th Sydney Biennale of Sydney
The Levitation Grounds ARCO Madrid, Spain.
Problems In Paradise, Scott Donavan Gallery, Sydney. Liquid Architecture, Melbourne
2001
Space Odysseys, Sensation & Immersion, The Blinds and the shutters Art Gallery of NSW,
2000
The levitation grounds, Artspace, Sydney
Pivot v: about Photography The levitation grounds Carnegie Gallery, Hobart
Atomic, The Blue Oyster Gallery, Dunedin.
1999
Eccentric Orbit – Australian Video Art of the Nineties, Museum of Contemporary Art, Sydney.
Haines, Morley, Bugden & Tilly, A Golden Autonomy – the monad work number 1. Rm 3 Auckland
Re-Worked, Ineke, Monica, Jana and Kylie The Film Centre, Wellington, New Zealand.
Oblique, Otira Reversal Cemetry – for Silverchair, Otira New Zealand
1998
Avatar, The Physics Room, Christchurch, New Zealand.
Music’s Dead Return – Manning River Regional Art Gallery, NSW. & Side On gallery, Sydney
1997
Medievalism – Musical & Non Musical Kingdoms – Artspace, Sydney
Evil Art – Side On Gallery, Sydney – group exhibition
Ghostship Low – The Physics Room -Christchurch, New Zealand.
1996
Palimpsest . The Eastern Dark Artspace Sydney, RMIT Melbourne. Canberra Contemporary Artspace.
Silver Forest Cemetery & Words become stars – Z.A Moca Shinjuku, Tokyo
1995
Sound In Space: Australian Sound Art, Screen Sound Program, MCA, Sydney.
1994
Universal Lever – SOUNDWATCH94, Artspace, Auckland, New Zealand.
1993
White Light, VIDEOPOSITIVE93, Tate Gallery, Liverpool, England.
The Black Art of the Family – Selenium Gallery, Sydney. Painting Installation.
1992
Museum of Fire – A Video Trilogy by David Haines, Chris Caines and John Conomos.
Australian Centre for Photography, Sydney. Institute Of Modern Art, Brisbane. 6th Australian Video Festival, Sydney. Experimenta92, Melbourne. University Of Newcastle, Australia. New Visions – Glasgow, Videofest92 Berlin, selected for touring to Argentina and Italy by Videofest92 comittee. SCANNERS OF MEMORY, Videopositive93, Liverpool, England.

Live Experimental Music Performances and Tours

2005
Don’t look Now _Solo Performance -Mori Gallery-
Terminus projects launch, Sunvalley performance of untitled composition from dammed revolutions
2004 Tonic, Solo Performance, NYC, USA.
SCARPA , Solo performance- Auckland New Zealnd
None Gallery, Solo Performance Dunedin, New Zealand.
2001
Live performance by Sun Valley Waveform Computer Music Conference UWS.
Voices of the Living Dead – sound in association with the exhibition Faces of the Living Dead by Martyn Jolly. Scott Donavan Gallery, Sydney.
2000
What is Music Festival Melbourne 2000 – Solo Performance from Sigma 009 Emo.
What is Music Festival Sydney 2000 – opening night Solo Performance, Imperial Slacks Sydney.
Impermanent Audio – Solo Performance from Sigma 009 Emo
Sigma Editions European Tour October – November
Live performances at the following venues
Galerie Schniederei Koln,Germany Gebaude9 Koln, Germany. Klub Dodo Rotterdam,Holland. VHS: Zentrum am Schloss, Saarbrucken,Germany. Batofar, Paris, France.Cave12,Geneva, Switzerland. Brancaleone, Rome. Italy. Cox 18, Milan.Italy
1999
Sigma editions European tour June – July
Gloria- Helsinki, Finland, Realkool gymnasium- Tallin, Estonia, Ost club,-Frankfurt Germany, Unter-Saarbrucken, Germany, Extrapool-Imejden, Holland, Club Zwei- Munich, Rhiz, Vienna, Austria, Geubadu 9,-koln, Germany, WMF- Berlin, Germany.

Publications

2008
Joyce Hinterding & David Haines, The Immaterial’s molecules -language-vibration, (A limited edition artist’s publication, including, Two Fragrances, Audio CD and Texts by Ann Finegan and Amanda Williams ) Current 08 : Sculpture Projects in the River City Parramatta City Council and Parramatta Artists Studio 2008
2001
Emo – d.haines Sigma 009, – Sigma Editions – New York /London. Audio CD)
2000 Maatsuyker, Neuss Rec (Audio CD)
1999
Blither – d.haines Sigma 004, – Sigma Editions – New York /London. 1999 (Audio CD)
1997
Experiments for feedback and multiple pianos -Helmholtz/ Magnetic Media. (Audio CD)
1996
Eternal Return, Helmholtz /Magnetic media ( Audio CD)
Medium/Slow/Fast – Helmholtz /Magnetic media ( Audio CD)

References
Books

Margaret Marsh, Michelle Watts and Craig Malyon , Oxford University Press Australia ‘A.R.T. 2: Practice’. (HSC text book), Chapter 17: Tableau Vivant : Video Art, p-252
Israel, Senior Artwise2: Visual Arts 11-12 (HSC text book) John Wiley and Sons Australia.

Videos
Conversations with Australian Artists Volume 1, Unseen Forces, Art Gallery of NSW, (John Olsen, Joyce Hinterding, David Haines, Ginger Riley, Munduwalawala, Fiona Hall)

Catalogues

Nicholas Chambers, Earth Star, The premier of Queenslands National New media Art Award, GOMA Gallery of Modern Art, Queensland. 2008
Ann Finegan “Day and Night” catalogue essay CACSA 2005
Nicolas Tsoutas , Purple Rain, The 26th Bienal de Sao Paulo, National Representations , Brazil pp84-87, 2004
Adelaide Biennial of Australian Art, Born to be Wild, Silver Hill,catalogue Essay 2004
Ann Finegan ‘17 Century’ catalogue essay for 13th Sydney Biennale 2002
Ross Gibson, ‘Undertow1999′ Remembrance + the moving image ACMI, 2003
Victoria Lynn, Space Odysseys, AGNSW, Australian Center for the Moving Image. 2001
Ann Finegan, THE LEVITATION GROUNDS catalogue essay for Artspace 2000
Mark Jackson, Nemein, Catalogue Essay for Medievalism…Musical/Non Musical Kingdoms, Artspace, 1997

Selected Journals

lizzie muller: smelling the sun, breathing a river, new works by joyce hinterding & david haines, RealTime issue #89 Feb-March 2009 pg. 27
Wendy Haslem, Side by Side, Australian & Japanese media Art , Real Time #77 February -March 07
Eve Sullivan – Contemporary Magasine, Issue 91 2007
Ashley Rawlings, Artists go Global in Sendai, The Japan Times, 14/12/06
Phillip Auslander, David Haines and Joyce Hinterding ArtForum, international October 2005
Adam Geczy, ArtMonthy
Linda Carroli 12.20S Latitude, 133.04E Longitude Photofile
Ashley Crawford, Worlds apart in an ancient land ,’The Age’ 20/8/2005
Victoria Lynn, ‘The art of the screen in Australia’ Art & Australia, Vol40/4 Winter , pp584 -589
Benjamin Genocchio Mind Altering multimedia mix The Australian Newspaper 24/8/01
Bruce James, Take a walk on the quiet side of techno-art, Sydney Morning Herald, 12/9/01 p16
Adam Geczy, Space Odyssey: Light visions, RealTime #45 October November
Jim Haynes, D.Haines: Emo Wire Magazine, Adventures in Modern Music ISSUE 211 SEPT 2001, Uk
Douglas Kahn and Fran Dyson, The Levitation Grounds, Eyeline 43 Spring 00
Charles Green Review of Levitation Grounds, Art and Text, no 70, August October 2000
Peter Hill “Vision Shines in Lighthouse” The Australian, Newspaper- Friday April 30
Sean Kelly, “art.buisness@the Lighthouse” Art Monthly- number 119 May 1999 p20
Ed Pinset, The Sound Projector, No. 6, 1999, (UK)
Nicholas Gebhardt, A Minimal Turn, Broadsheet, Vol. 28, Winter 1999
Peter Hill, Vision Shines in Lighthouse, The Australian April 30 1999
Diana Klaosen, A Meta World of Watchfulness, Real-time, June – July 1999
Anne Finnegan, Mortuar -James Joyce, Lacan and the work of David Haines,